Slamdance Film Festival

Los Angeles, California, United States, North America

21 - 27 Jan, 2022

Academy Award ® Qualifying BAFTA Qualifying

Keywords

gaming, online gaming, boundaries, department of anarchy

Category

Feature, Short, Television, Web / New Media

Genre

Documentary, Animation, Drama, Experimental, Fantasy, Horror, Sci-Fi, Thriller, Live-Action

Slamdance Film Festival logo
Slamdance Film Festival

Los Angeles, California, United States, North America

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General Information

edition

26th

Contact details

5634 Melrose Ave. Los Angeles, California 90038 United States

90038

submissions@slamdance.com

323-466-1786

Web & social

About the festival

The Slamdance Film Festival is a showcase for raw and innovative filmmaking that lives and bleeds by its mantra: By Filmmakers, For Filmmakers. Slamdance has created a track record for showcasing breakthrough artists that is beyond dispute. Filmmakers who first presented their work at the festival are now amongst the biggest names in the entertainment industry. Alumni who have shown their early short films and debut features at Slamdance include Bong Joon Ho (Parasite), Rian Johnson (Star Wars: The Last Jedi), Ari Aster (Midsommar), Gina Prince-Bythewood (The Old Guard), The Russo Brothers (Avengers: Endgame), Lena Dunham (Girls), Jon M. Chu (Crazy Rich Asians), Lynn Shelton (Little Fires Everywhereand Christopher Nolan (Dunkirk). 

Slamdance takes place annually in the beautiful ski resort town of Park City, Utah, down the street and at the same time as Sundance. Slamdance offers an intimate community experience in which audience members, filmmakers, festival programmers and industry professionals all mingle in the same hallways and sit side by side in screening rooms to discover the next generation of cinema talent.

 

 

Mission

The Slamdance Film Festival accepts films in every genre, on any topic, from every country around the world. We spotlight low-budget Narrative and Documentary Features by first-time directors, Breakout Features from non-first time directors, short films across genres, and episodes. We do not disqualify any films based on premiere status or date of completion.

The festival program is selected entirely from our blind submissions pool and no films are given special treatment based on who made them or who they know. Over 200 Slamdance alumni filmmakers are responsible for the programming and organization of the festival. Comprised of a variety of backgrounds, interests, and talents, but with no individual filmmaker’s vote valued more than any other, Slamdance committees have been able to stay close to its original DIY spirit and continue to champion the bleeding-edge of contemporary filmmaking.

About

The Slamdance Film Festival is a showcase for raw and innovative filmmaking that lives and bleeds by its mantra: By Filmmakers, For Filmmakers. Slamdance has created a track record for showcasing breakthrough artists that is beyond dispute. Filmmakers who first presented their work at the festival are now amongst the biggest names in the entertainment industry. Alumni who have shown their early short films and debut features at Slamdance include Bong Joon Ho (Parasite), Rian Johnson (Star Wars: The Last Jedi), Ari Aster (Midsommar), Gina Prince-Bythewood (The Old Guard), The Russo Brothers (Avengers: Endgame), Lena Dunham (Girls), Jon M. Chu (Crazy Rich Asians), Lynn Shelton (Little Fires Everywhereand Christopher Nolan (Dunkirk). 

Slamdance takes place annually in the beautiful ski resort town of Park City, Utah, down the street and at the same time as Sundance. Slamdance offers an intimate community experience in which audience members, filmmakers, festival programmers and industry professionals all mingle in the same hallways and sit side by side in screening rooms to discover the next generation of cinema talent.

 

 

Mission

The Slamdance Film Festival accepts films in every genre, on any topic, from every country around the world. We spotlight low-budget Narrative and Documentary Features by first-time directors, Breakout Features from non-first time directors, short films across genres, and episodes. We do not disqualify any films based on premiere status or date of completion.

The festival program is selected entirely from our blind submissions pool and no films are given special treatment based on who made them or who they know. Over 200 Slamdance alumni filmmakers are responsible for the programming and organization of the festival. Comprised of a variety of backgrounds, interests, and talents, but with no individual filmmaker’s vote valued more than any other, Slamdance committees have been able to stay close to its original DIY spirit and continue to champion the bleeding-edge of contemporary filmmaking.

Gallery

Awards & Winners

There are no winners yet for this festival

Terms and rules

Eligibility

  • We consider films in any language, from anywhere in the world. If your film is not in English, make sure it has English subtitles where necessary.
  • We consider work in progress. Please include a title card describing what is unfinished at the beginning of the submission screener.
  • We consider films regardless of their premiere status. Even if your film has already premiered at another festival, whether it screened at a physical venue or online, it’s still eligible for consideration.
  • We consider films regardless of their completion date. You can submit any film no matter when it was made.
  • Features previously or currently being released in the US by a third party distributor are not eligible for consideration.
  • Features previously self-distributed by the filmmakers online are not eligible for consideration in Feature categories.
  • Only directors' debut features with a budget under 1 million USD are accepted to the Narrative and Documentary First Feature competition. If your work is not your first feature film, submit it to our Breakouts competition.
  • Only independently produced episodes completed in 2020 or later are accepted to the Episodes category.
  • There's no additional eligibility criteria for short film categories. All shorts are eligible!
  • Films made by or about people with disabilities of any genre/format/runtime are also additionally eligible for the Slamdance Unstoppable Program. Filmmakers should select Unstoppable as an additional category to submit to if interested and eligible.

Submission Guidelines

  • We strongly recommend that ALL submitted films regardless of category include English subtitles (whether the film is in English or another language) so that they may be accessible to all of our Programmers. Films in a language other than English MUST include English Subtitles or they will not be considered.
  • All screeners must be uploaded by the appropriate deadline.
  • Deadlines close at 11:59 PM PST.
  • We will contact entrants if there's anything wrong with the submission. If this occurs, you will need to fix the submission issue by the requested deadline, otherwise we can't guarantee that your film will be watched in time.
  • We don't provide refunds for festival entries.
  • Entrants can update their screener by uploading a new video file provided your original link url does not change. The link must stay the same after you have submitted your entry. If it is replaced programmers will lose access to your screener and it may not be watched in time for consideration.

If accepted

  • Accepted filmmakers will be notified via email, phone or text. Filmmakers must confirm their participation by the given deadline, otherwise they might lose their spot in the line-up. (Heads up: we will be reaching out to some of you over Thanksgiving, but you can't use the holidays as an excuse to delay your confirmation).
  • Accepted filmmakers must be the authors of their submitted work and be ready to sign an agreement stating that they own all rights to their film and its components ahead of screening at Slamdance.
  • If accepted, entrants are responsible for delivering their festival exhibition copy, trailer, screener link, press stills and press-kit on time.
  • All accepted films must have Closed Captioning in English ready in time for their festival screening. We highly recommend you work on this while you wait for your festival acceptance since it will make your film more accessible to audiences wherever it may be shown.
  • If accepted, filmmakers are expected to attend the festival.
  • If accepted to both Sundance and Slamdance, filmmakers can not screen at both. We notify filmmakers around the same time, so you will have a chance to make an informed decision and commit to one festival.
  • We don't cover filmmakers' travel expenses.
  • We don't cover shipping expenses for screening copies and other materials.
  • We don't provide screening fees.

Ratings & Reviews

Categories and fees

First Features
Early Bird (5th July, 2021) $60
Regular (16th August, 2021) $80
Late (13th September, 2021) $100
Runtime 40 - minutes
Age restriction No age restriction
Country Any country
Director's age No restriction
Director's gender Any gender
Student films No
First films Only first films

Over 40 minutes. Not previously or currently being released in the US by a third-party distributor. Not distributed online. Participation in online film festivals is allowed. Budget under $1 million USD.

Breakouts
Early Bird (5th July, 2021) $60
Regular (16th August, 2021) $80
Late (13th September, 2021) $100
Runtime 40 - minutes
Age restriction No age restriction
Country Any country
Director's age No restriction
Director's gender Any gender
Student films No
First films No

Narrative and documentary features directed by NON-1st time feature director(s). Over 40 minutes. Not previously or currently being released in the US by a third-party distributor. Not distributed online. Participation in online film festivals is allowed. No budget restriction. Since 1995, Slamdance has been recognized as the premiere festival for discovering visionary first-time directors: Christopher Nolan (Following), Lynn Shelton (We Go Way Back), Bong Joon Ho (Barking Dogs Never Bite), Sean Baker (Take Out), Lena Dunham (Dealing), Behn Zeitlin (The Origins of Electricity), Ana Lily Amirpour (Six and A Half), and many more. While Slamdance’s main competition remains exclusive to first-time directors, the BREAKOUTS program (is designed to) serves directors beyond their first films who maintain distinct visual styles and a unique cinematic voice. At Slamdance, we’ve recognized an inherent need for a viable platform for these fiercely independent filmmakers who might not have the connections to get coveted spots in industry labs and financing along the more traditional development roads. Rather, they continue to make films “their” way, beyond the more star-driven Hollywood and festival elite's radar. BREAKOUTS is where we want the next Nolan with his second film, Memento, Shelton with Humpday, and Zeitlin with Beasts of the Southern Wild to take off. We want these types of distinct voices to be recognized by distributors, agents, and producers who can help drive them forward with distribution and long-lasting, commercially viable careers.

Shorts
Early Bird (5th July, 2021) $40
Regular (16th August, 2021) $55
Late (13th September, 2021) $65
Runtime 0 - 40 minutes
Age restriction No age restriction
Country Any country
Director's age No restriction
Director's gender Any gender
Student films No
First films No

Under 40 minutes. No distribution restrictions. Narrative, Documentary and Animation categories are Academy Award® and BAFTA qualifying. Shorts that blur the lines between categories will be shared and considered by all appropriate programming committees.

Episodes
Early Bird (5th July, 2021) $40
Regular (16th August, 2021) $55
Late (13th September, 2021) $65
Age restriction No age restriction
Country Any country
Director's age No restriction
Director's gender Any gender
Student films No
First films No

Pilots and single episodes of any length, genre, and style: narrative, doc, experimental, anthology, vlog, talk show, reality show, etc. Works should be completed in 2019 or later. No run time restrictions. Works can be available online prior to the festival. Works produced or commissioned by major streaming platforms are ineligible. You may submit one (1) episode of any length, or multiple shorter episodes up to a total runtime of 10 minutes. For formats longer than 10 minutes, each submission should include only one episode. If multiple long format episodes are included, programmers reserve the right to watch only the first episode in the submission. For narrative works, we highly recommend submitting the pilot episode to best introduce viewers to your characters.

DIG: Digital | Interactive | Gaming
Early Bird (5th July, 2021) $0
Regular (16th August, 2021) $0
Late (13th September, 2021) $0
Age restriction No age restriction
Country Any country
Director's age No restriction
Director's gender Any gender
Student films No
First films No

DIG is a showcase of innovative digital, interactive, and gaming artwork presented at Slamdance events and virtual spaces throughout the year. DIG provides a platform for independent artists who create outside of traditional media and bring their ideas to life in novel and uncompromising ways without the support of major studios or technology companies. Creative works presented at past showcases include: experimental theater, virtual and augmented reality, arcade gaming, projection mapping, and more. Submitting to Slamdance DIG is free and will be only accepted through the DIG submission form below, not through FilmFreeway or Festhome.

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