MOVECINEARTE Festival

27 Aug, 2020 - 15 Nov, 2020

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MOVECINEARTE Festival

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General Information

edition

5th

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About the festival

MOVE IS A TRAVELING FESTIVAL WITH ITS MAIN STAGE IN BRAZIL (SÃO PAULO) AND SATELLITE EVENTS IN VENICE, PARIS, AND OTHER CITIES.

IN 2020, MOVE CINE ARCH FESTIVAL WELCOMES FILMS AND VIDEO ART PRODUCTIONS FOCUSED ON ARCHITECTURE, LANDSCAPE, REPRESENTATION OF SPACE, URBANISM, PLANNING, CITIES AND ENVIRONMENT.

TAKE YOUR CHANCE TO BE SHORTLISTED FOR 2020 EDITION OF THE FESTIVAL AND TO WIN ONE OF 4 CATEGORIES AWARDS!

AMONG OUR STELLAR PARTNERS: EUROPEAN CULTURAL CENTRE, FUNDAÇÃO ARMANDO ALVARES PENTEADO AND PARIS COLLEGE OF ART!

ART DIRECTORS: ANDRE FRATTI COSTA AND STEVE BISSON.
THE REPRESENTATIVE ARTIST OF THE 2020 EDITION IS JOHN LUSIS.

http://www.movecinearte.com

AWARDS

​1. Award ​Winner of 2020 Festival edition
The film gets the highest approval of the jury.

2. Award Best ISSUE
The film addresses key issues of the debate on architecture.

3. Award Best FORM
The film shows new opportunities for architectural representation

​4. Award Best STUDENT
(only for films submitted by Schools and Academies)

-

JURY

Federica Andreoni (Italy)
Architect, PhD in Landscape Architecture at the La Sapienza University of Rome. Master's Degree in Geography, City and Architecture at the Escola da Cidade in São Paulo. In 2017 she is Visiting Researcher at the FAU USP and Artist in Residence at the FAAP in Sao Paulo, Brazil. She is a founding partner of Gnomone Architettura, with whom she has signed, among others, temporary installations projects in collaboration with MAXXI, the DMKM274 Festival and the Città delle Cento Scale Festival. Her essays are present in specialized books and magazines. Currently cultural manager at Real Academia de España en Roma.​

Marta Bogéa (Brazil)
Architect and Urbanist from the Federal University of Espírito Santo (1987), Master in Communication and Semiotics, Pontifical Catholic University of São Paulo (1993) published under the title Two-way street: The Paulist Avenue flux and counter-flux of modernity publisher San Diego State University Press (1993); PhD in Architecture and Urbanism, University of São Paulo (2006), thesis published under the title Cidade Errante: Architecture in motion (Editora Senac, 2009). Research professor at the Architecture and Urbanism School at the University of São Paulo, Design Department, concentration area Architecture and Design Project, Space and Culture. She was coordinator of the Undergraduate Course in Architecture and Urbanism (2017 to 2019). She has experience in the area of ​​Architecture and Art, with an emphasis on Theory and Design, mainly in the following themes: design, architecture, contemporary art, contemporary city, time and memory.

​Reinaldo Cardenuto (Brazil)
Adjunct Professor of the Film and Video Department of the Fluminense Federal University (UFF). Reinaldo Cardenuto holds a degree in Journalism (PUC-SP) and Social Sciences (FFLCH-USP). Doctor in Media and Audiovisual Processes at the School of Communications and Arts (ECA) of USP, defended in 2014 the thesis The Political Cinema of Leon Hirszman (1976-1981): Engagement and Resistance during the Brazilian Military Regime. With research focused mainly on the History of Cinema and Drama, in the last years he has published articles such as Dramaturgy of evaluation: the political theater of the 1970s (2012, revista Estudos avançados), L'écriture de l'histoire dans le cinematography by Leon Hirszman (2013, Cinémas d'Amérique Latine), More humor, less politics: a certain tendency in Brazilian contemporary drama (2016, magazine Varia history) and Being a filmmaker, being a historian: Patricio Guzman among the memories and the nostalgia of light (2017, Passion of memory catalog). In 2016, he directed his third documentary, Between Images (Intervals). In the same year, he was curator of the exhibition Antonio Benetazzo, permanences of the sensitive, that resulted in the publication of a book of the same name about this plastic artist and political militant assassinated during the Brazilian military regime. Editor of the magazine Meaning, he was a professor at the Armando Alvares Penteado Foundation, and a temporary professor at ECA-USP.

Francesco Perrotta-Bosch (Brazil)
Brazilian-italian-german architect and essayist. In 2013 he was awarded the Instituto Moreira Salles’ Serrote Prize for his essay The Architecture of Intervals’. Master's Degree in architecture and urbanism at USP (University of São Paulo. Francesco has done several curatorial works in institutions as Casa da Arquitectura (Matosinhos, Portugal), Brazilian Pavilion of Venice Biennale, São Paulo Architectural Biennale and Columbia University’s Studio X Rio de Janeiro. After writing to several newspapers and magazines from Brazil, Argentina and Great Britain, nowadays, Francesco writes for Piauí Magazine.

​Mat Rappaport (United States of America)
Associate Professor in Cinema and Television Arts at Columbia College in Chicago. Mat Rappaport is artist, curator, and educator known for works which utilize mobile video, performance, and photography to explore habitation, perception, and power as related to built environments. In 2018, Rappaport developed the Range Mobile Lab, a platform for practice-based research based on a 1995 GMC delivery truck. The Range Mobile Lab serves to extend the range performances, architectural collaborations, and direct community engagement. Rappaport’s work has been exhibited in the United States and internationally in museums, galleries, film festivals, and public spaces. Recent projects have been featured during the 500 Anniversary of the Jewish Ghetto in Venice, Italy, the 2017 Chicago Architecture Biennial, the 2017 and 2018 Ann Arbor Film Festival and performances with the Range Mobile Lab at the Museum of Contemporary Art in Chicago and the Block Museum at Northwestern University. Rappaport is a co-initiator of V1B3, which seeks to shape the experience of urban environments through media-based interventions.

About

MOVE IS A TRAVELING FESTIVAL WITH ITS MAIN STAGE IN BRAZIL (SÃO PAULO) AND SATELLITE EVENTS IN VENICE, PARIS, AND OTHER CITIES.

IN 2020, MOVE CINE ARCH FESTIVAL WELCOMES FILMS AND VIDEO ART PRODUCTIONS FOCUSED ON ARCHITECTURE, LANDSCAPE, REPRESENTATION OF SPACE, URBANISM, PLANNING, CITIES AND ENVIRONMENT.

TAKE YOUR CHANCE TO BE SHORTLISTED FOR 2020 EDITION OF THE FESTIVAL AND TO WIN ONE OF 4 CATEGORIES AWARDS!

AMONG OUR STELLAR PARTNERS: EUROPEAN CULTURAL CENTRE, FUNDAÇÃO ARMANDO ALVARES PENTEADO AND PARIS COLLEGE OF ART!

ART DIRECTORS: ANDRE FRATTI COSTA AND STEVE BISSON.
THE REPRESENTATIVE ARTIST OF THE 2020 EDITION IS JOHN LUSIS.

http://www.movecinearte.com

AWARDS

​1. Award ​Winner of 2020 Festival edition
The film gets the highest approval of the jury.

2. Award Best ISSUE
The film addresses key issues of the debate on architecture.

3. Award Best FORM
The film shows new opportunities for architectural representation

​4. Award Best STUDENT
(only for films submitted by Schools and Academies)

-

JURY

Federica Andreoni (Italy)
Architect, PhD in Landscape Architecture at the La Sapienza University of Rome. Master's Degree in Geography, City and Architecture at the Escola da Cidade in São Paulo. In 2017 she is Visiting Researcher at the FAU USP and Artist in Residence at the FAAP in Sao Paulo, Brazil. She is a founding partner of Gnomone Architettura, with whom she has signed, among others, temporary installations projects in collaboration with MAXXI, the DMKM274 Festival and the Città delle Cento Scale Festival. Her essays are present in specialized books and magazines. Currently cultural manager at Real Academia de España en Roma.​

Marta Bogéa (Brazil)
Architect and Urbanist from the Federal University of Espírito Santo (1987), Master in Communication and Semiotics, Pontifical Catholic University of São Paulo (1993) published under the title Two-way street: The Paulist Avenue flux and counter-flux of modernity publisher San Diego State University Press (1993); PhD in Architecture and Urbanism, University of São Paulo (2006), thesis published under the title Cidade Errante: Architecture in motion (Editora Senac, 2009). Research professor at the Architecture and Urbanism School at the University of São Paulo, Design Department, concentration area Architecture and Design Project, Space and Culture. She was coordinator of the Undergraduate Course in Architecture and Urbanism (2017 to 2019). She has experience in the area of ​​Architecture and Art, with an emphasis on Theory and Design, mainly in the following themes: design, architecture, contemporary art, contemporary city, time and memory.

​Reinaldo Cardenuto (Brazil)
Adjunct Professor of the Film and Video Department of the Fluminense Federal University (UFF). Reinaldo Cardenuto holds a degree in Journalism (PUC-SP) and Social Sciences (FFLCH-USP). Doctor in Media and Audiovisual Processes at the School of Communications and Arts (ECA) of USP, defended in 2014 the thesis The Political Cinema of Leon Hirszman (1976-1981): Engagement and Resistance during the Brazilian Military Regime. With research focused mainly on the History of Cinema and Drama, in the last years he has published articles such as Dramaturgy of evaluation: the political theater of the 1970s (2012, revista Estudos avançados), L'écriture de l'histoire dans le cinematography by Leon Hirszman (2013, Cinémas d'Amérique Latine), More humor, less politics: a certain tendency in Brazilian contemporary drama (2016, magazine Varia history) and Being a filmmaker, being a historian: Patricio Guzman among the memories and the nostalgia of light (2017, Passion of memory catalog). In 2016, he directed his third documentary, Between Images (Intervals). In the same year, he was curator of the exhibition Antonio Benetazzo, permanences of the sensitive, that resulted in the publication of a book of the same name about this plastic artist and political militant assassinated during the Brazilian military regime. Editor of the magazine Meaning, he was a professor at the Armando Alvares Penteado Foundation, and a temporary professor at ECA-USP.

Francesco Perrotta-Bosch (Brazil)
Brazilian-italian-german architect and essayist. In 2013 he was awarded the Instituto Moreira Salles’ Serrote Prize for his essay The Architecture of Intervals’. Master's Degree in architecture and urbanism at USP (University of São Paulo. Francesco has done several curatorial works in institutions as Casa da Arquitectura (Matosinhos, Portugal), Brazilian Pavilion of Venice Biennale, São Paulo Architectural Biennale and Columbia University’s Studio X Rio de Janeiro. After writing to several newspapers and magazines from Brazil, Argentina and Great Britain, nowadays, Francesco writes for Piauí Magazine.

​Mat Rappaport (United States of America)
Associate Professor in Cinema and Television Arts at Columbia College in Chicago. Mat Rappaport is artist, curator, and educator known for works which utilize mobile video, performance, and photography to explore habitation, perception, and power as related to built environments. In 2018, Rappaport developed the Range Mobile Lab, a platform for practice-based research based on a 1995 GMC delivery truck. The Range Mobile Lab serves to extend the range performances, architectural collaborations, and direct community engagement. Rappaport’s work has been exhibited in the United States and internationally in museums, galleries, film festivals, and public spaces. Recent projects have been featured during the 500 Anniversary of the Jewish Ghetto in Venice, Italy, the 2017 Chicago Architecture Biennial, the 2017 and 2018 Ann Arbor Film Festival and performances with the Range Mobile Lab at the Museum of Contemporary Art in Chicago and the Block Museum at Northwestern University. Rappaport is a co-initiator of V1B3, which seeks to shape the experience of urban environments through media-based interventions.

Awards & Winners

There are no winners yet for this festival

Terms and rules

1. DESCRIPTION
MOVE CINE ARCH Festival welcomes films and video art productions focused on architecture, landscape, representation of space, urbanism, planning, cities and environment.
The Festival accepts films productions finished on or after 2018.
Each author can participate with only one film in their original language with English subtitles when applicable.

2. SUBMISSION
a) Fill it out the 'Entry Form' page. Participation in the Festival implies acceptance without reservation of all terms outlined in these regulations.
b) Pay the submission fee. Paypal at info@filmessay.com or Bank transfer if required.
c) Provide a link for the private screening of the video, statement and any relavant information at info@filmessay.com.

3. FEE
You can use Paypal from the 'Fee' page at info@filmessay.com or through a bank transfer.
Entry fees are calculated as follow:
- Single submission 15 € (Early Bird before February 28th) and regular fee 20 €.
- 5 € fee for academies and schools.

4. DEADLINES
Submissions will no longer be accepted after 31.03.2020
Shortlist announcement on the festival website 12.05.2020
Award announcement on the festival website 30.05.2020

5. OFFICIAL SELECTION SCREENING COPY
After the communication of official selection, participant shortlisted have to send a screening copy via Internet to info@filmessay.com. Accepted format: High Resolution files: 1920X1080 or 1280X720 | File extension: .mov | Video Codec: H264 or XDCam 35mb/s.
Participant shortlisted have to send promotional materials via Internet to info@filmessay.com:
3 still images from the film (at 300 dpi and 2000 pixel width)
technical and artistic credits
a short typed description of the film's content
trailer via internet link ( optional )

6. JURY AND AWARDS
The Festival’s Panel of Judges will consist of at least three personalities of the arts and cultural scene.
Awards nominations will be announced on May 30th, 2020. The panel’s decision is final and not subject to appeal.
MOVE CINE ARCH Festival maintains the right to declare void any prize category.
The Panel of Judges, based on a selection sorted by the curators of the festival, will award the best works in the 4 following categories:
Award ​BEST FILM (Winner of 2020 Festival edition)
The film gets the highest approval of the jury
Award BEST FORM
The film shows new opportunities for architectural representation.
Award BEST ISSUE
The film addresses key issues of the debate on architecture..
Award BEST STUDENT (only for films submitted by Schools and Academies)

The Panel of Judges can nominate Honorable Mentions.

7. CALENDAR
Award Ceremony, Venice (Italy), in collaboration with European Cultural Centre
Full programmeestival screenings, São Paulo (Brazil) in collaboration with various cultural institutions.
​Special session, Paris (France), in collaboration with Paris College of Art


8. ADDITIONAL SCREENINGS
MOVE CINE ARCH Festival reserves the right to host additional screenings of any 2020 Short Listed films so long as such screening takes place prior to January 30, 2021.

9. FINAL DISPOSITIONS
The participants authorize the organization of the festival to use pictures and excerpts (up to 2 minutes) of the film for advertising and press purposes.
It is implied that anyone, such as producers, artists, distributors and all other organizations and institutions that sent a film to the Festival must own all the rights empowering them to do so and are entirely responsible for their act, and that by submitting they indemnify the Festival from any and all claims, demands, losses, costs, damages, and attorney's fees arising out of or in connection with third parties in regard to the screening of said film.

Ratings & Reviews

Categories and fees

Films and video art focused on architecture, landscape, space, urbanism, cities and environment
Early Bird (1st February, 2020) $15
Regular (31st March, 2020) $20
Late (30th May, 2020) $15

MOVE CINE ARCH Festival welcomes films and video art productions focused on architecture, landscape, representation of space, urbanism, planning, cities and environment.

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